
THE RHINO
Role: Director
Production History:
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Oct 2025, The Shop Theatre, NYU Tisch Drama Stage — Student Work
Links:
Synopsis
When a divorcing family loses the fortune buried beneath their money tree, they have one week to recover it — an ordeal of sleepless nights that traps them inside their collapsing home. As the walls close in, each spirals into obsession: a boy who builds muscle over memory, a girl who becomes her puppet, a mother who hangs up on the final call, a father who cannot dream, and a kind of love that lies.
Production Photo
"If I call you on the home phone, will you come home?"

Cinderella and Frankenstein's Monster Are Dead
Role: Producer, Director, Playwright
Production History:
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2025 May, Lantern Theatre @ ACT, Brighton Fringe
Links:
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Tickets: Lantern Sales & Fringe Sales
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Reviews: Theatre in Brighton, Brighton and Hove News, Sound Beyond Curtain
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News: Broadway World, Sussex World, National World, Brighton and Hove News
Synopsis
昭兰 (Zhao Lan), a Chinese exchange student in an American high school, often finds herself lost in thoughts of Frankenstein’s monster. Like him, she feels out of place, unseen, unworthy, stitched together in a world that doesn’t quite fit her. When her school’s theatre club is casting for Cinderella, a Grimm Brothers fairytale, she sees the perfect opportunity to prove her worth. It was the first story she ever read in English. No one knows it better than she does. Yet even after she gets the role, she's still unhappy. Foreign stories glitch into nightmares. She misses the Mandarin rhyme she once proudly sang. It doesn’t take long for her to realize: Both Cinderella and Frankenstein's monster are dead. She's neither of them.
Production Photo
"Only one of those two were saved. But both of them are dead now."

Philomela
Role: Playwright
Directed by Kaitlyn Wigmore
Production History:
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2024 December, Rhapsody Riot Play Festival, Goldberg Theatre, NYU Tisch
Links:
Synopsis
At her bachelorette party, Philly asks her best friend—and dentist—Kate to examine a scar on her tongue. Haunted by eerie nightingale hallucinations, she confesses that her tongue once fell off when her fiancé, John, kissed her in middle school. As Kate hides her long-buried feelings for Philly, she urges her to reconsider the marriage. When Philly finally leans in to kiss her, it’s clear the feeling is mutual—despite the weight of Philly’s trauma and the shadow of her impending wedding.
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"Don’t be afraid. You don’t have another tongue to lose this time."

Rain Cycle
Role: Director
Written by Alex Isbell
Production History:
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2024 December, Broke People Play Festival, Goldberg Theatre, NYU Tisch
Links:
Synopsis
Rae finally visits Mom, who is sick from cancer and refuses to evacuate from her house despite an approaching storm. Rae knows this might be the last time they get to talk to each other, but she fights for more time. She wants an apology from Mom for putting her to work in the abusive film industry when she was just four years old. Mom, struggling to open up, goes on and on about stoicism and reincarnation. The storm is almost on them. Dark clouds are pushing in, closing the distance. Neither of them chose to leave.
Production Photo
"You’ve lived a million lives without me. You’ll live a million more."

Tide
Role: Producer, Director, Playwright, Sound Designer
Production History:
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2023 May, YK Pao Black Box Theatre, Shanghai
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2023 August, Hua Run Time Square T2 Black Box Theatre, Shanghai
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2024 August, Greenside George Street Lime Studio, Edinburgh Fringe
Links:
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Review: CGO Institute
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News: The Scotsman | Broadway World
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Magazine: The List | Femi Fringe
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Interview: Beyond the Curtain
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Spotlights: QR Review "Fringe Quickie" | QR Review "Getting Fringe Ready"
Synopsis
Two girls meet at a silent retreat by the ocean — a place meant for healing, but laced with unspoken danger. As they navigate the lingering trauma of sexual assault and familial loss, their connection deepens in quiet gestures, smudged colors, and stolen glances. The stage becomes a living canvas — red, blue, and yellow smeared across bodies and space — leading to a tender kiss painted rather than spoken. As the natural world around them begins to unravel, so too does the past, creeping into the present. Will they find the courage to reach for each other again, when every past attempt has ended in silence, separation, or shame.
Tide’s two-week run at 2024 Edinburgh Fringe received glowing audience responses, described as “tender,” “nuanced,” “sincere,” “a very gentle duet of lost and unrealised love,” and “a slow but graceful drama.”
Production Photo
"Kissing with paint in silence."

Arachne
Role: Director, Playwright
Production History:
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2024 May, NYU Production Lab Incubator Series, La MaMa Experimental Theatre Club, New York
Press:
Synopsis
A woman named Arachne returns to her mother’s house after the funeral. Just before leaving, she glimpses a spider — and suddenly, she’s pulled back to the nights when her mother taught her to knit with red yarn. But those lessons weren’t acts of love. They were threaded with pain, silence, and control.
Loosely inspired by the Greek myth, Arachne reimagines the tale through a contemporary, feminist lens. Where the original centers on rivalry and divine punishment, this adaptation weaves a story of maternal bonds, generational trauma, and the quiet power of choosing tenderness over tradition. It’s not a tale of jealousy — but of surviving what love becomes when passed down through broken hands.
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"You were hanging there from your web. Not making any sound. Simply…weaving."

Waiting for Godot
Role: Producer, Director
Production History:
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2023 May, YK Pao Black Box Theatre, Shanghai
Synopsis
By a lonely country road, two tramps — Estragon and Vladimir — wait for a man named Godot. As the hours drift by, they speak of hanging themselves, of faith, of carrots and memory. Godot hasn't come. Instead, Pozzo and Lucky appear: a master and servant locked in a dance of power, love curdled into cruelty. Time loops, language falters, the waiting continues. Still, the question echoes: will Godot ever come?
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"Well, shall we go?" "Yes, let go."

Jane Eyre: Life at Lowood
Role: Producer, Director
Production History:
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2023 March, YK Pao Amphitheatre Theatre, Shanghai
Synopsis
A reimagining of Charlotte Brontë’s Jane Eyre, this theatrical collage follows Jane after she escapes the cruelty of Aunt Reed’s home and enters the mysterious world of Lowood. Here, the institution becomes a liminal realm—where fairies whisper through mountain streams, lovers are torn apart and reborn, and fantasy blurs with memory. Inspired by the Chinese legend of the Butterfly Lovers, the piece weaves Western gothic with Eastern folklore, exploring the quiet resilience of a girl becoming her own myth.
Production Photo
"I saw myself crossing the fence, stepping my feet onto that road. The way it twists and flows gave me an illusion of freedom."







































