
VOLCANO RUNNERS
Role: Director, Playwright
Production History:
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April 2026, Playwrights Horizons Theatre School, New York
Links:
Synopsis
Twin sisters raised in an abusive home near an active volcano take opposite paths—one leaves for school, one stays and befriends a stone woman—until an eruption brings them back together and forces them to reckon with a past where love and violence were indistinguishable.
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"I laughed when you gave me the rock before you left. She gave me an entire volcano. And you gave me a piece of it. You’re really like her sometimes."

THE RHINO
Role: Director
Production History:
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Oct 2025, The Shop Theatre, NYU Tisch Drama Stage — Student Work
Links:
Synopsis
When a divorcing family loses the fortune buried beneath their money tree, they have one week to recover it—an ordeal of sleepless nights that traps them inside their collapsing home. As the walls close in, each spirals into obsession: a boy who builds muscle over memory, a girl who becomes her puppet, a mother who hangs up on the final call, a father who cannot dream, and a kind of love that lies.
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"If I call you on the home phone, will you come home?"

Cinderella and Frankenstein's Monster Are Dead
Role: Producer, Director, Playwright
Production History:
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2026 August, Edinburgh Fringe, Scotland
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2025 May, Brighton Fringe, United Kingdom
Links:
Synopsis
A gothic fairytale for the culturally confused. A Chinese exchange student at an American high school sees herself in Frankenstein’s monster—stitched together and out of place. When the drama club stages Cinderella, she auditions to prove her worth, only to find herself longing for the Mandarin rhymes she once sang with pride. As foreign stories glitch into nightmares, she realises: both the princess and the monster are dead. She’s neither. Critically acclaimed at 2025 Brighton Fringe: 'raw, eye-opening' ★ ★ ★ ★ (Theatre In Brighton), 'refreshing and linguistically aware take on identity construction' ★ ★ ★ ★ (Sound Behind Curtain).
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"Only one of those two were saved. But both of them are dead now."

Philomela
Role: Playwright
Directed by Kaitlyn Wigmore
Production History:
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2024 December, Rhapsody Riot Play Festival, New York
Links:
Synopsis
At a bachelorette party, the bride asks her best friend and maid of honor to examine a scar on her tongue. Nightingale visions and a story about a middle school kiss with her now fiancé begin to unsettle the night. As one holds back and the other leans in, buried feelings and old wounds surface—complicating the wedding ahead.
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"Don’t be afraid. You don’t have another tongue to lose this time."

Rain Cycle
Role: Director
Written by Alex Isbell
Production History:
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2024 December, Broke People Play Festival, New York
Links:
Synopsis
A daughter returns home as a storm closes in. Her mother, already dying of cancer, refuses to leave, offering philosophy instead of apology. Between dry humor and long-held silence, they circle what remains unresolved as time runs out.
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"You’ve lived a million lives without me. You’ll live a million more."

Tide
Role: Director, Playwright
Production History:
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2024 August, Greenside George Street Lime Studio, Edinburgh Fringe, Scotland
Links:
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Review: CGO Institute
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News: Broadway World
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Magazine: The List | Femi Fringe
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Interview: Beyond the Curtain
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Spotlights: QR Review "Fringe Quickie" | QR Review "Getting Fringe Ready"
Synopsis
Two girls meet at a silent retreat by the ocean—a place meant for healing, but laced with unspoken danger and environmental decay. As they navigate the lingering trauma of sexual assault and familial loss, their connection deepens through quiet gestures, smudged colors, and stolen glances. The stage becomes a living canvas—red, blue, and yellow smeared all across, representing moments when the moon pulls the ocean into tides, blurring past and future. Tide’s two-week run at 2024 Edinburgh Fringe received glowing audience responses, described as “tender,” “nuanced,” “sincere,” “a very gentle duet of lost and unrealised love,” and “a slow but graceful drama.”
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"There was the moon, and then there was the ocean. There was a magical attraction between them, but they could never get together, or there would be flood everywhere."

Arachne
Role: Director, Playwright
Production History:
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2024 May, NYU Production Lab Incubator Series, La MaMa Experimental Theatre Club, New York
Press:
Synopsis
A woman returns to her mother’s house after the funeral and sees a spider. It pulls her back to nights when mom taught her to knit with red yarn—lessons shaped by pain and control. Loosely inspired by the Greek myth, Arachne reimagines the story through a contemporary feminist lens. Instead of rivalry and punishment, it explores maternal bonds, generational trauma, and the choice to break cycles.
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"You were hanging there from your web. Not making any sound. Simply weaving."


































